Columnists

The Key to Publishing a Book: Being a Staunch Celebrationist

By Lindsay Zier-Vogel

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Writing a book takes forever. Or, it does for me. I always think I’ll be able to crack the code for the next one, and write faster and be more efficient, but the reality is, it takes me five years to write a book. And five years is a long time to live in an imaginary world alone.

The good news for me is that I am a celebrationist, and with each book, I’ve realized how important it is to celebrate the small wins. Not just book deals and pub days, but all the wins in between. 

My third book, The Fun Times Brigade, came out May 1, and there were so many highlights en route to holding the printed book in my hand including:

  • Writing the acknowledgments! The minute I open up a new word document with a novel idea, I start an acknowledgment doc so I don’t forget people who have helped along the way. As it takes me YEARS to write books, my acknowledgements end up being quite lengthy, but they are still my favourite thing to write (and read!)
  • Research! I love making my characters have jobs I know nothing about. In my first novel, Letters to Amelia, I had my main character work at the Rare Books Library in Toronto. Was that so I could finagle a tour of the basement and sub-basement and dig around in the stacks? Maybe!!! In The Fun Times Brigade, my main character is a childrens’ performer, which meant I got to do a deep dive on the world of childrens’ music— interviewing legends like Fred Penner, and Sharon and Bram (from Sharon, Lois & Bram fame), and I made her husband a mathematician, which meant learning a lot about pi Days and special chalk! 
  • Seeing the cover! Book cover designers are extraordinary humans. I don’t know how they capture the entire essence of a 300+ page novel in a single visual, but they do! Seeing the final design of The Fun Times Brigade cover made it all feel real. Real-real—assurance that all of these words and years of work were going to actually be a book 
  • Reading the blurbs! Though asking for blurbs—the endorsements on the back of a book—is one of my least favourite parts of publishing a book, reading the blurbs as they come in is one of the best parts! It’s the first time readers who aren’t me, my writing group, my publisher or editor has read the book.  
  • Planning a book launch! For years, especially when my manuscript was in shambles, planning my Fun Times Brigade book launch was my go-to daydream. Of course, the closer it got to the actual launch date, the more the daydreams were replaced with to-do lists, but it was still so much fun to dream up a perfect afternoon of books and crafts and merch and music (including my kid and his band!) 

And now that it’s officially launched, my highlight for always and ever will be seeing The Fun Times Brigade out in the wild—in bookstores, in libraries, in small squares on Instagram. My dream is to see someone reading it on transit! One day!!

The views expressed by Open Book columnists are those held by the authors and do not necessarily reflect the views of Open Book.


Lindsay Zier-Vogel is an author, arts educator, grant writer, and the creator of the internationally acclaimed Love Lettering Project. After studying contemporary dance, she received her MA in Creative Writing from the University of Toronto. She is the author of the acclaimed debut novel Letters to Amelia and her work has been published widely in Canada and the UK. Dear Street is Lindsay’s first picture book, and is a 2023 Junior Library Guild pick, a 2023 Canadian Children’s Book Centre book of the year, and has been nominated for a Forest of Reading Blue Spruce Award. Since 2001, she has been teaching creative writing workshops in schools and communities, and as the creator of the Love Lettering Project, Lindsay has asked people all over the world to write love letters to their communities and hide them for strangers to find, spreading place-based love. 

Buy the Book

The Fun Times Brigade

From acclaimed author Lindsay Zier-Vogel comes an insightful and heart-rending exploration of motherhood, grief, and the search for identity.

Amy is a new mother, navigating the fog of those bewildering early days and struggling with a role she feels ill-prepared for. It’s the first time in a decade that she hasn’t been living the busy life of an acclaimed children’s musician, and her sense of self is unravelling. To make matters worse, her bandmates have seemingly abandoned her.

In flashbacks, we see Amy’s journey to success—her stumblings as a solo singer-songwriter and her eventual rise to fame as a member of the Fun Times Brigade. But as the novel progresses—and Amy grapples with a devastating loss—we come to understand how precarious definitions of artistic success can be.

The Fun Times Brigade examines the enduring challenges of reconciling being an artist with being a mother. It is also a timely reflection on forgiveness and what it really means to have a good life in a world that demands we have—and be—it all, and asserts that amidst the chaos, we can find our way back to our genuine selves.