Writing Lessons from Joni Mitchell

By Lindsay Zier-Vogel

Writing lessons from Joni Mitchell by Lindsay Zier-Vogel banner. Black and white image of young Joni Mitchell to left of banner, sitting cross-legged on ground against grey background, wearing rustic dress with long, straight, blonde hair and bangs, holding acoustic guitar. To right of banner a solid dark grey section with text and Open Book logo overlaid.

I often look to books for inspiration, but I just got back from seeing Joni Mitchell play in L.A., and as I was sitting at the Hollywood Bowl, with the moon rising over the hills, I realized how much I had to learn from the legendary artist sitting in the centre of the stage.

 

Lesson 1: Collaboration

It’s so easy, as writers, to work in isolation, but being at the Joni Mitchell concert, watching a full stage of musicians create together, reminded me how powerful collaboration can be. It inspired me to get a meeting with my writing group on the books, and to reach out to a dancer friend for feedback on an in-progress manuscript about a former dancer. Even just conversations about writing with other artists is so validating and enriching!

 

Lesson 1.5: Intergenerational collaboration

The one thing I can’t stop thinking about is how intergenerational Mitchell’s collaborators were. Yes, Elton John, Meryl Streep, and Annie Lennox were there—her peers, but the stage was also filled with much younger artists—Brandi Carlile, Jon Batiste, Celisse, and Marcus Mumford—who are all around forty years Mitchell’s junior. It inspired me to not just look beyond my immediate peer group for collaboration, and reflect on how rich and rewarding intergenerational creative relationships can be.

Reminder: You can apply for mentorship through the Writer’s Union of Canada’s microgrant program, and through the Canada Council for the Arts’ Research & Creation program (some more info here!)

 

Lesson 2: Multidisciplinary creation

I’m embarrassed to admit this, but it was the merch table that reminded me that not only is Mitchell a legendary singer songwriter, she’s also a visual artist. I’ve just started playing piano again after twenty-plus years of not playing the piano, and though I’m quite terrible, it’s such a wonderful complement to writing. Novels take me at least five years to complete, but with daily practice, I can play Chopin waltz in a few weeks (okay, maybe months). Switching up the creative media I’m working in helps me not only feel productive (which I need!) but also opens me up to different modes of artistic creation and expression, which ultimately helps fuel my writing.

 

Lesson 3: Adaptation

I don’t know a lot about guitar tunings, but apparently Mitchell’s are notoriously complex and atypical, and she created them because, after having polio, her left hand was weak—a good reminder that you don’t have to follow the standard rulebook, but can create your own template.

 

Lesson 4: Longevity

Joni Mitchell has been playing shows for the last sixty years—that is a long time, and it was a good reminder to step back and look at my creative life as a much longer, bigger entity than project to project.


Lindsay Zier-Vogel is an author, arts educator, grant writer, and the creator of the internationally acclaimed Love Lettering Project. After studying contemporary dance, she received her MA in Creative Writing from the University of Toronto. She is the author of the acclaimed debut novel Letters to Amelia and her work has been published widely in Canada and the UK. Dear Street is Lindsay’s first picture book, and is a 2023 Junior Library Guild pick, a 2023 Canadian Children’s Book Centre book of the year, and has been nominated for a Forest of Reading Blue Spruce Award. Since 2001, she has been teaching creative writing workshops in schools and communities, and as the creator of the Love Lettering Project, Lindsay has asked people all over the world to write love letters to their communities and hide them for strangers to find, spreading place-based love.