News and Interviews

6 Books That Impacted Adriana Chartrand, Author of the Acclaimed Debut An Ordinary Violence

red and black banner image with text reading 6 important books for adriana chartrand. Photo of the author on the right. Open Book logo bottom left

Try as she might, nothing is quite right in Dawn's life. A young Indigenous woman eager to leave a city full of bad memories, she's moved to a new place to start over, but she's haunted by messages from her dead mother and thoughts of her estranged brother, Cody, who is imprisoned back in their prairie town for a violent crime.

When her new start falls apart, she's forced back home, only to find, to her shock, that not only has Cody been released, but he's got a new friend constantly by his side, a charismatic fellow ex-prisoner who is gathering seemingly devoted followers for God only knows what purpose. 

This tense premise kicks off Adriana Chartrand's electric debut novel, An Ordinary Violence (House of Anansi Press), a nuanced horror story that delves into colonization, otherworldly elements, and the eerie blurring of the past and present. 

Chartrand weaves elements of Indigenous storytelling into a thoughtful, haunting, at times even darkly funny exploration of family, trauma, and the thin barrier between what we know and the mysteries we cannot solve, be they supernatural, emotional, or interpersonal. 

To celebrate Chartrand's debut, which has been praised as "cinematic [and] haunting" (Chicago Review of Books) and "utterly enthralling and unsettling to your bones" (Jesse Wente), we asked her to share about the books that have played a role in her life as a reader and writer. She revealed six books and how they've impacted her journey. 

The WAR Series: Writers as Readers with Adriana Chartrand

A book that made me cry:

Cover of the book The Good Girls: An Ordinary Killing

The Good Girls: An Ordinary Killing by Sonia Faleiro. This book is well-researched and well-written, nuanced, and sharply observed. It's also very sad, obviously, given the subject matter. 

A book I feel that I should have read but haven’t: 

Cover of Infinite Jest by David Foster Wallace

Infinite Jest by David Foster Wallace. I really enjoy his nonfiction writing and often return to it, but haven't been able to get through Infinite Jest. Maybe because I'm not a tennis fan. 

The book I have re-read many times: 

Cover of Mean Boy by Lynn Coady

Mean Boy by Lynn Coady. This is one of my favourite books - it's heartfelt, poignant, and very funny. Such a good lens on university English lit life, and the shattering of ideals. 

A book I loved that I think has been overlooked: 

Cover of Red Dog Red Dog by Patrick Lane

Red Dog, Red Dog by Patrick Lane. I don’t know what constitutes overlooked but I feel more people should read it. A combination of lyrical storytelling and gritty reality that I quite love. 

My all time favourite book series: 

Box set of the His Dark Materials series by Philip Pullman

The His Dark Materials series by Philip Pullman. Love the world-building, the characters, and the stories – he's a brilliant writer who deals in themes not often seen in, ostensibly, YA literature

What I plan on reading next: 

Cover of Sideways: The City Google Couldn't Buy by Josh O'Kane

Sideways: The City Google Couldn't Buy by Josh O'Kane. It's the story of the Google Sidewalk Labs project in Toronto, which spectacularly fell apart amidst privacy and other concerns, after promising a new utopian 'smart' neighborhood by the waterfront. 


Adriana Chartrand is a mixed-race Native woman, born and raised in Winnipeg, Manitoba. Her father is Red River Métis (Michif), born and raised in the Métis community of St. Laurent, and her mother is a mixed white settler from Manitoba. Adriana has two degrees in film studies and has previously worked in the social work field. She lives in Toronto and works in the film industry.

Buy the Book

An Ordinary Violence

A chilling horror novel about a young Indigenous woman haunted by the oppressive legacies of colonization. 

Dawn hasn’t spoken to her brother, Cody, since he was sent to prison for a violent crime seven years ago. Now living in a shiny new Toronto condo, Dawn is haunted by uncanny occurrences, including cryptic messages from her dead mother, that have followed her most of her life. When the life Dawn thought she wanted implodes, she is forced to return to her childhood home and the prairie city that hold so much pain for her and her fractured family. 

Cody is unexpectedly released from prison with a mysterious new friend by his side, who seems to be the charismatic leader of a dangerous supernatural network. Trying to uncover their plans, Dawn follows increasingly sinister leads until the lines between this world and the next, now and then, and right and wrong begin to blur and dissolve. 

What unfolds is an eerie, incisive, and at times darkly funny horror novel about a young Indigenous woman reckoning with trauma and violence, loss and reclamation in an unsettling world where spirit realms entwine with the living—and where it is humans who carry out the truly monstrous acts.