Writer in Residence

Happy St. David's Day

Submitted by Amanda West Lewis

Happy St. David’s Day!

St. David is the patron saint of Wales, and every March 1st I make Welsh cakes. A Welsh cake is like a pancake –– you cook it on a griddle. It’s also like a scone –– you eat it with your fingers. It’s full of currents, butter, eggs and flour. Always best eaten fresh.


Neither my husband Tim nor I grew up with Welsh cakes as a tradition. I started making them when our children were little and had a Welsh playschool teacher. I was looking for roots and building traditions and making Welsh cakes on St. David’s Day seemed a good one to include.

Tim was born in England, but his father was from northern Wales. He was thrilled when Tim told him my name. “Lewis! She must be Welsh!”

Sadly, no. I was born in New York City. My mother was born in Vancouver but left Canada as a teenager. My father was born in Long Beach, California, but moved to New York in his early 20s. None of my side of the family has laid claim to belonging anywhere. Any roots we might have tried to put down were summarily snipped off. Or shrivelled and died for lack of nurture.

My mother longed for roots. In her first marriage, she converted to Judaism. By converting, she had a sense of belonging that she’d never had before. But when she married my father, she didn’t keep up the faith or those connections. My father, too, was previously married, to a Jewish woman, so Judaism definitely had a resonance through our lives. We celebrated Hanukkah with Latkes, Christmas Eve with Lox and Bagels. But our connection was more wistful than concrete.

When my parents separated, my mother moved back to Canada as a single parent. She felt disoriented. She had become an American citizen, and didn't think of Canada as home. So she applied for us to come into Canada as immigrants.

In those days when you crossed the border to move from the United States to Canada, you applied to come in as a “Landed Immigrant”. The form asked my mother to state our Ethnicity. On her application, she put Scottish as her father's family had originally come to Canada from Glasgow. On my application, she put “Welsh.”

I have no ancestry in Wales as far as I know, but she decided that the name Lewis was Welsh and therefore my ancestry, my “ethnicity” must be Welsh. I think she wanted to give me roots. She wanted to give me a sense of belonging at a time when we felt we didn’t belong anywhere. 

I still have that faded Landed Immigrant card, with my ethnic status emblazoned on it. And so, I feel somewhat justified in making Welsh cakes on St. David’s Day.

Embracing my “Welsh heritage” for a day is an honest form of cultural appreciation, not cultural appropriation, but it does make me look at the larger concept of roots. What culture can I honestly say I belong to? Where do I “come from” as a writer?

My life has been intersected by many cultures, and diversity is part of my experience. I would never speak from the perspective of another culture. But the world that I grew up in is a place of diversity. The stories I tell are set in the shifting sands of my own experiences in that diverse world. Cultural appreciation gives me a sense of belonging.

And for me, cultural appreciation comes first and foremost through food. My voice, if I have one as a writer, comes from a world where I can make Welsh cakes and Latkes, Quesadillas and Eggplant Szechwan, Okonomiyaki and Moussaka, Goulash and Samosas. With each spice, my world gets bigger and more wonderful.

Happy St. David’s Day. Iechyd da!



The views expressed in the Writer-in-Residence blogs are those held by the authors and do not necessarily reflect the views of Open Book.

Amanda West Lewis is the author of seven books for young readers, including September 17, which was nominated for the Silver Birch Award, the Red Cedar Award and the Violet Downey IODE Award. Her new novel, These Are Not the Words, is available from Groundwood Books. She is a writer, theatre director, calligrapher, and drama teacher. She is the founder of the Ottawa Children’s Theatre, and she has an MFA from Vermont College of Fine Arts. Born in New York City, she now lives in Brooke Valley, Ontario, with her husband, writer Tim Wynne-Jones.

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These Are Not the Words

New York City in the 1960s is the humming backdrop for this poignant, gritty story about a girl who sees her parents as flawed human beings for the first time, and finds the courage to make a fresh start.

Missy’s mother has gone back to school to pursue her dream of becoming an artist. Missy’s father works in advertising and takes Missy on secret midnight excursions to Harlem and the Village so she can share his love of jazz. The two write poems for each other — poems that gradually become an exchange of apologies as Missy’s father’s alcohol and drug addiction begins to take over their lives. 

When Missy’s mother finally decides that she and her daughter must make a fresh start, Missy has to leave her old apartment, her school, her best friend and her cats and become a latchkey kid while her mother gets a job. But she won’t give up on trying to save her family, even though this will involve a hard journey from innocence to action, and finally acceptance. 

Based on the events and people of her own childhood, Amanda Lewis’s gorgeous novel is driven by Missy’s irresistible, optimistic voice, buoyed by the undercurrents of poetry and music.